• reviews

    Scott Hirsch – Windless Day

    Windless Day by Scott Hirsch Scott Hirsch’s magical new album, Windless Day, is out today on his own Echo Magic label. Recorded mostly at Scott’s studio of the same name in the flourishing wilds of Ojai, a place (I imagine) to be filled with the spirits of the former owners of the vintage instruments and gear that give Scott’s music such a classic, polished vibe. “Much Too Late” has all the effortless groove and ease of a JJ Cale song, complete with a delicious guitar line, adorned with subtle chimes to make the whole thing shine. Similarly, you would almost…

  • reviews

    awakened souls & From Overseas – Keep the Orange Sun

    Earlier this year, marine eyes released a gorgeous ambient album that had soothing vibes on par with Enya (which is high praise, I love Enya and until now absolutely no one could quiet my brain like her pure moods.) My obsession with idyll is likely a direct cause of my newfound and growing interest in the use of synthesizers, in meditation music, and vocals-as-an-instrument. marine eyes, aka Cynthia Bernard, is also part of a duo called awakened souls with her husband James Bernard and today they’re releasing a collaboration with their friend From Overseas called Keep the Orange Sun, with…

  • reviews

    Hayden Pedigo – Letting Go

    I thought I may have burned myself out on acoustic guitar records earlier this year, but Hayden Pedigo’s Letting Go proved me wrong. In an interview, he described it as “closer to new age in tone” and perhaps that’s what’s so attractive about it – blending futurism with tradition, welcoming and embracing the new era of Texas musicianship. It’s a beautiful, contemplative, breathing record. Hayden’s elegant and painterly compositions are augmented by Luke Schneider’s pedal steel and field recordings captured by masterful producer and engineer Andrew Weathers, and swirling synths add a haze of lush dreaminess. Each of the seven…

  • reviews

    Dori Freeman – Ten Thousand Roses

    Ten Thousand Roses by Dori Freeman Dori Freeman continues a prolific streak of album releases with Ten Thousand Roses, out tomorrow on her own boutique label Blue Hens Music. Her past albums have proved her abilities as a songwriter and singer to convey raw emotion and conjure evocative and lush imagery in perfectly polished, succinct songs that never overstay their welcome and sound somehow classic yet completely fresh. Ten Thousand Roses exemplifies this blend perhaps more than any other, involving more mainstream tones yet firmly rooted in tradition. Dori’s latest is sweeping and cinematic, with larger-sounding production, reverberating drums, and…

  • reviews

    Nala Sinephro – Space 1.8

    Space 1.8 by Nala Sinephro Need an instant out-of-this-world astral projection assist? Nala Sinephro’s debut LP Space 1.8, a suite of cosmic synth-jazz-spiraling-celestial jams is here to help. The London-based Sinephro composed the pieces based around the concept of sound’s ability to move matter. In addition to composing the record and playing pedal harp and modular synth, the 220-year old also produced, performed, engineered, recorded, and mixed the album. London jazz-scene luminaries James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick, Twm Dylan and Wayne Francis all contribute, both musically and spiritually—each track is…

  • reviews

    Ruby Landen – Martyr, well

    Martyr, well by Ruby Landen When you hit “play” on Ruby Landen’s Martyr, well– you might do a double take. Ruby’s clear, lilting voice, accompanied by soft fingerstyle guitar parts will immediately make you believe you’re listening to a late 60s Brit folk record. Ruby’s soft, sweet songs are wistful and sincere, injecting beauty and the odd wry smile characteristic of that sound. Ruby was born in northern California where she was raised on a steady diet of trad folk and Americana, attending live shows of Bill Frisell (who later became a mentor) and Eileen Ivers and picking up an…

  • reviews

    Rick Deitrick – Coyote Canyon

    Coyote Canyon by Rick Deitrick Rick Deitrick used to press small batches of his albums and leave them on hiking trails for people to find. Recorded between 1972-197 and reissued by Tompkins Square Records, Coyote Canyon, like many of Rick’s releases, is acutely in tune with and inspired by nature. Echoing the cascading of a waterfall or emulating a windstorm blowing across a desert mesa, Rick’s guitar work is as timeless as the surrounding canyons and cliffs he was inspired by. With its themes of lonesome reflection, wilderness bewilderment, and Rick’s warm, intimate tones, Coyote Canyon is a quiet, contemplative…

  • reviews

    Steve Gunn – Other You

    Other You by Steve Gunn To be Steve’s neighbor and hear his guitar explorations over the last 16 months or so would be an enviable position. Since the onset of the pandemic, he’s released a good amount of music, including an EP of covers, two of which originally recorded for Aquarium Drunkard’s Lagniappe Sessions with the addendum of a haunting version of Neil Young’s Motion Pictures”; Spring in Brooklyn, three gorgeous guitar meanderings for Cafe OTO; and a 7″ with Cass McCombs, featuring Michael Hurley’s “Sweet Lucy” and Gunn’s lead on the Scottish trad classic “Wild Mountain Thyme.” I list…

  • reviews

    Cameron Knowler – Places of Consequence

    In Cameron I recognize what many other desert dwellers, or those born within it seem to intrinsically understand – how sound is inextricably bound to place, how landscapes influence song, and how aesthetics are the other side of the coin of music, somehow. After this year’s earlier release with fellow guitarist and best mate Eli Winter and our conversation about Cameron’s musical roots and interests (and how they diverge from Eli’s), I was expecting something hyper-trad, but Cameron is a player full of surprises and Places of Consequence shows him truly coming into his own. I’m realizing it’s not that…