Cameron Knowler – Places of Consequence

In Cameron I recognize what many other desert dwellers, or those born within it seem to intrinsically understand – how sound is inextricably bound to place, how landscapes influence song, and how aesthetics are the other side of the coin of music, somehow. After this year’s earlier release with fellow guitarist and best mate Eli Winter and our conversation about Cameron’s musical roots and interests (and how they diverge from Eli’s), I was expecting something hyper-trad, but Cameron is a player full of surprises and Places of Consequence shows him truly coming into his own.

I’m realizing it’s not that Cameron is a traditional guitarist, but rather a purist. He’s certainly not one to cling to strict rules and schools of thought, as may have been my original assumption, but one who is interested in digging through archives, keeping the things that are valuable, discarding accoutrements that are not, and moving the pieces he loves forward, highlighting the elements of historical prowess while giving it his fresh, modern take.

Places contains plenty of nods to flamenco guitar and old style, yet there are moments like “Supertome Biome” and “Atelier de Stein” interwoven throughout the more “wooden” pieces. “Done Gone” is a figurehead for the album, as is “Kuyina” – traditional-sounding pieces with a little bit of haunt. By adding a bent note or an unexpected minor key, Knowler uproots the listener, and forces them to look around a bit and ask themselves if they’re really at home or not. In “Cat Springs,” Cameron’s patient, thoughtful strums and picking highlight the uncanny element of the record, while “Cindy Cindy” is positively romantic and lullaby-like. The album’s pacing is delivered in such a way to orient the listener firmly in the moment – it’s certainly pretty enough for passive listening, but the player goes further, bringing in an element of surprise.

As the young artist transitions into a new phase of life, this album parallels it – a more experimental entry point, a throwing off of past selves and strict adherence to rules. Cameron gives himself room to take risks – and finds that they pay off. Still emotionally charged, plaintive at times and exuberant at others, these are miniature soundscapes, small sonic journeys, fulfilling Cameron’s intent to transport the listener.

Get Places of Consequences on Bandcamp. Out now via American Dreams Records.